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1/31/2019

Prayer Request

Antique Shop
Milford, OH

Prayer Request

Last night, I got kidnapped.
I was trapped
inside a hot

sanctuary.
I was shifty
in the church pew –
a cramped place
I have never called home.

Last night, I got lucky.
I discovered
a blank stack

of prayer request paper.
Three by five,
I drew you wearing suns.
I’ve never seen you like this,
but that's the way I always

picture you.
I drew me next to you.
I was reaching

for your middle.
I drew a taller me –
wild-haired,
stick hands nearly touching
the place where your belt

should be.
My fingers got lost
between your loops.

I've never seen me like this,
but the pencil made me
a lead-grey, dipping,
V-necked dress.
Your mouth

was a line.
My mouth
was a circle.

C.A. MacConnell

Today's Truth:  Keep your eyes up and walk with faith, strength, and irresistible hope. <3 <3 <3 ;)

1/28/2019

Photo: Fly Heart

Fly Heart

C.A. MacConnell

Look again. He's always there.

Look again. He’s always there –

the thinnest man in the sun.
Keeping time,
he throws crumbs
to any bird.
It’s true, he says.
For as long as I live, for as long
as you live,
I’ll be dusting feathers
from my jacket.

When it rains, he sells watches.
No insurance for the buyer,
but ten dollars
is all it takes
to slide one on the wrist.
That’s how Billy made it
through the winter.

C.A. MacConnell

P.S. Hope all is well with you. Hope you liked the poem. Wrote it about a man I knew in Roanoke for some time. He used to drink coffee next to me at a place called Texas Tavern. The sunrise is beautiful. 💞💞

1/27/2019

Tyler's Drive-In

Back when I was fourteen, there was this tall, brown-haired, seventeen-year-old guy with chiseled features and a six pack who used to give me rides out to the barn. We'll call him Tyler. We both had horses, and I guess we lived in the same area, so he became my chauffeur every now and again. I never paid him a dime.

Well, the whole ride there, and the whole ride home, I was absolutely silent. Tyler cracked jokes and drove like a maniac to try and bust me out of my shell, but I was a tough passenger; I sat there motionless and mute. He was that guy -- handsome, popular, strangely perpetually tan, older, cool -- and I had no idea what to say, but I secretly hoped that one day I'd become a wicked conversationalist and reel him in with my stunning charisma.

Well, on the way home one time, a miracle happened.

Tyler shrugged, looked at me, and asked, "Hey, you want to see a movie Friday?"

I watched his chiseled jaw move at the end of "Friday." Then, silently, I nodded, and I didn't move, but on the inside, I felt like I could possibly climb Everest. Surely, I'd just won an Academy Award.

Then Tyler added something that made it even better. In that sexy voice, through those full lips, he said, "It's at the drive-in."

Again, I nodded. Definitely, my heart was a home for an octopus.

That week at school seemed to last forever. I watched the clock. I rode my horse. I ate dinner with the family halfheartedly. I watched the clock. I marked off days on my tiny horse wall calendar. When I told Mom I was going to the movies with Tyler, she didn't worry at all. My dad knew his dad, and the like. We'd all been friends for some time.

When Friday finally arrived, I had no idea what to wear. Most of the time, I wore jeans and t-shirts, and I only had a few dresses that I hated. I tried on a slew of outfits. I tried to put on makeup, and then I washed it off. I stood there, staring at my fourteen-year-old frame, knowing that I really didn't even need the training bra that I was wearing, but I fixed it straight anyhow, trying to push up my kid chest. Nothing. Finally, I just put on some jeans and a t-shirt.

The doorbell rang.

I heard Mom answer it with a "Hi there."

Slowly, like a prom queen, I stepped down the stairs, but as I moved, I started to hear voices. Too many voices. Tyler's voice, another girl's voice, another weird male voice. Confused, I continued my great princess walk. When I arrived at the front hall, I saw Tyler, an older girl, and a another guy who looked to be about my age.

Tyler pointed at the girl. "This is Caroline, my girlfriend." Then he pointed at the other guy. "And this is Nick, her brother, your date."

Silently, I nodded. Suddenly I realized this horror:  while I thought Tyler wanted to go on a date with me, the whole time he'd been planning to set me up with a guy my age. I was shocked and confused.

Mom grinned wildly, pushing me out the door.

We all hopped in the car and headed toward the drive-in.

In the back seat, next to Nick, I chewed on my nails and squirmed a little, mostly staring at the floor.

Nick was silent too. Obviously, he was just as confused about the setup as I was.

Tyler and Caroline chattered away.

Through the whole movie, I was silent. The whole way home, I was silent. But just as we reached my house, I turned my head to look at Nick. I really looked. He had huge, blue, watery eyes. He was small in stature, like me. His hair was light brown, like mine. I laughed a little, just because.

And Nick looked back. He really looked. Then he grinned. Then he chuckled.

I grinned back. Then I breathed in deeply, summoning all of my courage, and asked Nick this:  "We have a school dance. Wanna go? It's soon."

Silently, Nick nodded. Then he whispered, "I got a suit."

Then I glanced up, checking up on the front seat action. First, I looked right.

Caroline was staring out the window.

Then I looked straight up at the rear view mirror.

Big-eyed, Tyler was watching me through the reflection. Startled at being caught, he looked away. It was as if Tyler was shocked that after all that time, in one night, Nick had broken my silence, not him.

Silently, gripping the wheel tight, Tyler pulled into the driveway. Silently, motionless, he nodded and waved goodbye.

Strangely, he never gave me rides out to the barn again. It was as if, in that rear view moment, our age difference was beginning to lessen, as it does with the passage of time.

C.A. MacConnell

1/26/2019

Photo: Three.



C.A. MacConnell

Mansion

We broke in.
It was all
about the weather.
Seven times,
the scattered sky
spoke through
heat lightning,
and new clouds
coughed above us,
mostly hanging
in patchy rows.
Behind us, the stone
mansion. Someday,
I'll put up an offer.
We swam close
in the strange,
perfect pool;
we were the ice
on the dog day.
Let’s get dressed.
Rain’s comin’.

On the deck,
you checked
my muscle.

C.A. MacConnell

1/25/2019

Photo: Three Girls

Three Girls

 Hi there. This is one of my favorites. Hope you have a lovely day.

C.A. MacConnell

1/24/2019

Photo: Curley

 Folk Musician Curley Ennis


From Floyd, VA. One of the greats, in my book.
C.A. MacConnell

1/22/2019

Down Time.

It's amazing how people change when the weather shifts. Myself included.

For a few days, in this town, after we had a significant snowfall, and the temperature dropped, it seemed like the world stopped. Indeed, few cars drifted down the road. The grocery store was a ghost town. No one (except me) was out taking a walk. What a ridiculous soldier. Everything turned slow and peaceful. There was no hustle and bustle. There was no drive to get to the top. There wasn't even a drive to get down the driveway, really. Everyone was nestled in, I assume. Even the animals were scarce -- a lone dog here and there, a frantic deer, a few solo birds darting about, then disappearing.

When I was walking, I imagined some God looking down and announcing this:  There now, be still.

Two days later, the temperature rose, and all beings were melting. And with the melt returned the wild ride of civilization -- a long line of cars at the pharmacy drive-through, a man giving the finger to some kid who just hit his car, someone getting a speeding ticket, the shopping lists, the dog walking, the exercising, the mad dash to fill up the tank, the routine, the whole shebang.

There wasn't much transition at all. It was if a switch went off. I'd call it electric, yeah.

But I truly thought about the way my routine changed when the quiet, winter weather hit. Certainly, I wasn't able to get everything done; I don't even think I accomplished half of my regular routine. And I thought about how it really didn't matter if I got everything done right when I thought I needed to. I decided to stop beating myself up for missed chores, missed cleanings, and messing up in general. My whole life, I've been afraid of messing up, and you know what...now I'm thinking it's just all right to let some things slide.

The important research, the term paper, the housework -- it'll get done tomorrow. Because the down times are when we spend time with family, friends, and all of the loved ones, the people who see you through a divorce, a terrible loss, the horse's death, the illness, the addiction, the wedding, the back pain, the food poisoning, and all of life's noise.

The down times show you who you really like to be with, who your true support is, and who you really are. And fuck, did I laugh with my coworker Frank (name changed) today when we were supposed to be busy.

When I think about my day, and my life, these are the loving times that stick, lifting me up.

There now, be still.

C.A. MacConnell

1/16/2019

Shavings.

Hand me a bandage. Earlier, I cut myself;
we are forever blending into some couch.
You are made of smog, smoke, fog, steam.
You are dust. You are an intangible buffet,
a cirrus cloud, a vast scab, a gorgeous vapor.
Your shoulders are static rather than bone.

Something hangs between us – a fight never
fought, a loss never lost, and the irresistible,
makeup screw. To our mad, silent lives --
from the dirtiest laundry to the lightest
sheets. Sometimes, I see your shavings.
Cutting the quiet in two, sound is our knife.

I see our small house, white paint peeling
on the left, the heart side. I see you call
the painter. I see me call the gutter man.
I see our swing, our kitchen, our late night
dinner -- orange, fake fish on green plates,
no napkin, bare clean kitchen, the scent of it.

The table, the imperfect circle. And no matter
how the meal ends -- empty or full, imagined
or real -- even if I could,  even if I should,
I wouldn't take anything back. Hand me
a bandage. I see us sit down at the same
time, sinking into high-backed, black, plastic

chairs, praying and laughing and digging in,
whether or not people need to eat
in heaven.

C.A. MacConnell

1/12/2019

Photo: Four Sisters + Essay: Flawless.

 
Four Sisters
Sharon Woods
Flawless

I have a poster of Eddie Vedder of Pearl Jam in my apartment. When I look at it, it reminds me of a time when I felt wild, free, unchained, when I followed the band across the country. Sure, I was a mess, but I was unaware of it for the most part, and I was happily traveling with the few belongings that fit in my car, and I sure miss the movement, the chaotic shows, the dancing, and the whole raw deal. His picture takes me back. That time in my life was one big wave of emotion, all wrapped up in some band's sound.

Did I put them on a pedestal? Back then, probably. Now, no.

To put someone on a pedestal is to take away his/her humanness. It removes the ability for us to truly connect. Sure, in the past, I feel like I've been on both ends -- the one looking up, and the one looking down. And neither one is a way to fully connect with a flawed human. Because the flaws -- the pains, the defeats, the trials and joys -- are what bring us together. When someone is viewed as "flawless," it brings about low self esteem, anxiety, depression, and the like. When someone views me as "flawless," it brings about separation, distance, and the inability to bond in a soul-like way.

So now I see Vedder's picture as a memory of a time, a place, a dream, the wild years. It is a snapshot, a mere captured moment that reminds me of music that filled my heart, and I appreciate the creators for the movement, the sound, and the storm. It's inspiring to me as an artist.

Right here, right now, I don't want to hold you up or shoot you down. I want to know about what makes you human.

I want to know about the real deal -- not just the image in one snapshot. Even these nuns in my picture aren't flawless. I know one personally, and she's hilarious, stubborn, and unique. She's a strong feminist who refuses to go to Mass because they won't allow female priests. Over the years, I've known many nuns, since I grew up in Catholic schools. One had an ankle tattoo. Another smoked cigs during the lunch hour. Still another met a man and bailed out of the convent. 

From Vedder to nuns, we're all just struggling along, facing each day as it comes despite our childhood traumas, outside events, catastrophes, triumphs, gifts, and defects.

Today, I am not afraid of real, startling connections, and I appreciate any day that takes me there.

But I will say this:  this first snow is perfect. If you want to see perfection, look to nature.

I wish you the best in your life and love,
C.A. MacConnell

1/11/2019

Quote of the Day.

Bravery is not shown through success. Bravery is shown through the road to get there, within the struggle itself and how a person handles the horrors and the joys. How they live through it, how they create and survive in a chaotic world, in spite of setbacks, trauma, and defeat. Bravery is shown through...not the end result...but the journey.

C.A. MacConnell

1/09/2019

1/08/2019

Photo: Came to Believe

Came to Believe

C.A. MacConnell
👀

Short Story: Jesus, Jimmy

Hope you're reading THE HOUSE OF ANCHOR!

Here is a fiction sample for you.-- C.A. Mac

Jesus, Jimmy

-- orig. published in Analecta 25: the Art and Literary Journal of the University of Texas at Austin

All right. There were some fights. Food scattered all over the kitchen, a fork mark on the side of Dad's neck. She had thrown it at him. She liked to throw things. When I walked into the kitchen, I ducked.

Bang, bang, bang on the wall. That was how she got my attention. "Moe! Get up, Moe! You shouldn't be sleeping all day!"

"I work the night shift!" I yelled back. Something like that.

Bang, bang, bang on the wall. "You shouldn't be sleeping all day!"

And there was my hand through a glass door because she pushed me into it. Then her calling the cops on me for attacking. Which I didn't, but there was blood there, and it was my fault like it was always my fault. Then it was me choosing between juvey hall and the psych ward. Then me choosing again.

So I hung out at Jimmy's basement mostly. We did ridiculous things like drink cases of Milwaukee's Best and smoke stuff and knock down walls. And sometimes, Jimmy got his guns out to show off to me. How Jimmy never ended up in jail, it's a wonder. He liked guns and guns like Jimmy. One time, we built a bonfire out in Jimmy's backyard. Jimmy burned things like books and chairs while I played my Dad's guitar in the basement. Through the sliding glass door, I watched Jimmy dance around the fire shooting his gun. Flash got me stoned. We called him that because he used to be all athletic and run real fast. He used to do everything fast -- walk fast, drive fast, pick up women fast. Stuff changes though. He made us crack up and turned into the dealer for us. There was money in it. When he was stoned, Flash cooked up these plans to save the world, then forgot them in a flash. He was a dreamer. We all were, like how we thought we could ace tests without studying at all. I always did okay, but there was the time when Jimmy saw my score and wrote "Eat shit" on my test. Then he dropped his pants. Boy, we both had to call our moms from school on that one. It was nuts.

While we burned things, Jimmy's mom slept upstairs. Either that or she went out with her boyfriend to Blueberry Hill for a drink, which usually turned out to be ten drinks. Her boyfriend was an electrician, and that came in handy when Jimmy drank too much and broke lamps. Me and Jimmy were just glad we had a place to hang out and do ridiculous things and not get yelled at. Jimmy's mom had a bad back and she was crazy too, quiet crazy. She took drugs for it, the kind that make you all loopy like you're half-dead.

Bang, bang, bang on the wall. "Moe, you bring me some hangers." And when I forgot, "Boy, I can see your titties when you wear that tank top." Mom said that 'cause I was big for fifteen. I was pretty built freshman year, but I kind of let myself go after that. Me and Flash were big and silly. Jimmy was bigger and sillier. Jimmy's mom was quiet crazy. My mom was loud crazy. That's why me and Jimmy hung out and knocked down walls.

--

I'm getting out today, which is a good thing because I'm playing my guitar tonight in the jazz band competition at school. All I've thought about for the past two weeks while I've been in the psych ward is how the hell I was going to get enough practicing done. They told me to think about all this past stuff, and I've thought about it, and I've written at least five new tunes about how Mom told me we were going to the doctor to get my ingrown toenails removed. Instead, she started chain smoking and drove me here, threw me in the loony bin. Not so bad, really. When you're fifteen, and in the loony bin, and your mom's loud crazy, it's kind of nice to get away for a while.

I got Dad's guitar with me. They don't let me keep it in my room because they're afraid somebody might steal it. They keep it behind the counter until I ask for it. It's not so bad here. Quiet. Kind of like a vacation.

So we go to meetings where we talk about how we feel, and I tell them I don't know why I'm here, that I'm just here, that Mom's loud crazy and I got no problems. Those whitecoats just nod and smile, looking at me all sad, the way Jimmy's mom looks when she does come down from her room, which is a one-in-a-million thing. The girls here talk and cry a lot. The boys here listen to me play tunes and beat on things when we're allowed to make noise. While I strum, I miss Jimmy and Flash, and I wonder how they're holding up. And I feel bad 'cause I know they don't like too much time without me. They need me to keep them from doing stuff that's really stupid, like stealing picnic tables from the neighbors. But that's another ridiculous story.

All right. So all week long I've been ignoring that guy with the sleep disorder. He kept banging on the wall the way my Mom did, all loud, trying to get my attention. I've been ignoring the pill suicide girls and the kid whose mom deserted his family on his birthday. I played my part in the psycho drama, the part of one of the suicide kid's abusive older brothers. That was some fun. All week long, they kept coming to me, and I listened to their stories and tried to help, but there's just no helping some people. Besides, I had to practice for the jazz band competition. Jimmy and Flash were looking forward to it. We had ridiculous plans for after the competition, whether or not I played well. They promised me that when I used my one phone call on them.

So I sit here with Dad's guitar and wait for her. When she pulls up in her AMC Eagle, yelling, "Moe!" out the window, waving her cigarette at me, I just sit and sulk.

"Get in," she says.

I get in because I got to get to school fast for the competition. I can’t drive yet and Flash is the only one with the car, but his is on blocks in Jimmy’s backyard because of the night we got all drunk on wine coolers and had the munchies. We went to Kentucky Fried Chicken and ate straight off the all-you-can-eat bar. When we got back, Flash ran straight into the side of Jimmy’s house. That was after we trashed the Cedar Ridge apartment complex across the street. Jimmy had to get a new brush after that because he left his floating in the pool there. Slipped out of his back pocket.

Dad’s guitar sits in the backseat behind me, same way it sat the day after he had his first heart attack, which was the same day Mom asked him for the divorce. It was the same day that gunfire and explosions went on in Jimmy’s backyard, and we stole a birdbath from his neighbor. A week later, Jimmy’s mom smoked in the basement, ashed in the birdbath and said, “Where’d this birdbath come from?” And Jimmy said back, “Moe’s mom gave it to us.” Jimmy’s mom smiled and went up to her room with a bottle of Wild Turkey and got all quiet.

Mom rolls up her window and lights one smoke off of another. “How you doing?” she asks me, stretching her neck like a bird so she can see over the dash. Mom is skinny and wrinkly. Makes me wonder how I turned out so big.

“How do you think I’m doing?” I say back. I feel like playing some blues. Maybe Muddy Waters. Miles Davis. Yeah, Jimmy and Flash would like that.

“Moe, we got to hurry. You got the jazz band, and I got people coming to see you,” she says.

I always thought it was funny that I had to play my electric with no amp because she was always telling me to shut up, but when people came over, she wanted to show me off.

“Yeah,” I say. She doesn’t talk anymore, and I’m glad because I’m trying to remember chords in my head. I move my fingers to make sure they still work.

When we get to Wilson High, my school, Mom drops me off at the door, and I rub my hands together because they’re cold, and it’s hard to play when they’re cold. Jimmy and Flash are there and they pat me on the back. Jimmy is stoned for sure and Flash is too I think, but sometimes it’s hard to tell with Flash since he wears glasses and when he takes them off, his eyes are just slits all of the time.

Jimmy pats me on the back again, and we walk back behind the school, where I smoke a blunt with them. We huddle together like three big bears.

“Was it a shithole?” Jimmy asks me, pulling that new brush out of his back pocket. He got the new one the time when we were fucked up and Flash was running around Food Lion yelling, “I’m available for any fourteen-year-old chicks,” while Jimmy was busy stealing pot pies, and while I was busy keeping track of them.

Jimmy brushes his greasy hair back so that it’s all slick.

“Yeah, man. The people in there were so crazy, made me think I’m pretty normal.” I take the brush from Jimmy and get slick too. Got to hold up my image. I’m a slick, fast blues man. I feel my goatee. It hasn’t grown much.

“Did you meet any women?” Flash asks me, pulling a flask from his pants, taking a swig, then passing it to me. He doesn’t slick his hair ’cause it’s not worth it — his hair’s so curly the brush just gets stuck there. But he pushes his glasses up on his nose even though they’re already pushed up there. Habit.

“One. She liked to hear me play, but the nurses watched us close. Made me leave the door open. Treated me like I was some kind of nutcase,” I say.

“Too bad,” Flash says, “Hey man, you can stay at my place if stuff with your mom is tiring you.” He takes another swig and goes, “Geez, ahhh,” then smacks his lips. Something like that.

“Yeah, like your mom wants another kid running around. She’s already got ten,” I say. I think about it though. Whenever I went to Flash’s house, his dad would cook me gourmet things like eggplant Parmesan. There was just something about his house. No matter what, me and Jimmy could walk in there looking and smelling like bums, but Flash’s house always smelled good. And Flash did too. My house smelled like smoke. Jimmy’s did too, only not cigarette smoke — his house smelled like smoke from burning things because Jimmy just liked to burn things.

I pick up Dad’s guitar and go around the school to the backstage, where I get ready, and where Jimmy and Flash say to me, “Don’t kill yourself,” which means good luck. Jimmy brushes my hair where it’s sticking up and Flash puts a pack of smokes in the pockets of my jeans. I pull them up. They’re a bit loose. That’s what happens when Mom puts you in the psych ward. You get loose jeans. Doesn’t matter, though, ’cause I’m big and Flash’s dad’ll cook me up something soon, like he did the last time I was in there — cooked me up some roast duck with wine sauce, which is something.

When I walk into the rehearsal room, the kids are already warmed up. They all stare at me, like they are thinking, There’s that big Moe, who was sent to the psych center. He must be nuts. But they keep on warming up, and as I tune my guitar, my hands feel bigger and bigger. My body feels bigger and bigger. And Dad’s guitar feels ridiculously heavy. I feel sweat coming down my head, messing up my hair where Jimmy brushed it. But I am strong, strong like Dad. I am a fighter, like Jimmy when he threw that kid into a mirror at his house and glass went everywhere. “Shit,” Jimmy said. “Bad luck.”

“Ready. The crowd’s waiting.” Mr. Slosher says that. He’s the gym teacher, but he’s also the music teacher. In gym class, he laughs when he calls my name for attendance. “Oh, it’s Tuesday. Moe must be here.” I only go to school on Tuesdays and Thursdays because that’s band practice days. Always get an “A” in gym though. Mr. Slosher likes me ’cause I play a mean guitar. He says I know how to improvise.

We follow him because he’s got the suit on — me, the keyboard player, the bassist, and the drummer. One big bear and three little kids. We follow Slosher the way Mom follows me around the house, watching me, waving her cigarette like an extra finger, saying, “Moe, why you always look at me like that?”

Slosher opens the curtains for us, and the four of us go out on stage, waiting for the good part. I breathe deep and think of Jimi Hendrix. I look at Charles, the bass player, and nod. And he nods back. I feel all loopy and daydream about his dark face fading into Jimmy’s pale one. I picture Jimmy standing next to me on stage, saying, “Look at my new gun, Moe. We’re gonna tear some shit up tonight.” And I look at the skinny, angry drummer, wishing it were Flash beating on them, saying, “Come over. My dad made some linguine.” But when the curtains open, and I look out at the parents, all I see is Mom’s face, wrinkly and smiling. She even claps.

I stare at her while I play Dad’s guitar. I’m not thinking about what I’m playing, but somehow, my fingers move because Slosher says I know how to improvise. I keep staring at Mom and thinking of songs in my head, songs about people just like me and Flash and Jimmy, people that do ridiculous things. When it’s over, and the crowd’s making some noise, I think I see Dad out there too, smoking a cigarette in the back of the auditorium because he has to smoke in order to cough and get stuff out of his lungs. And that is the stupid thing about all of it. Not that he has to cough, but that he’s not there at all.

When they give me the plaque for "Most Valuable Jazz Band Member," all I can think about is how good it is going to look on that wall, that wall that Mom always bangs on. And as she takes me home, all I think about is where the plaque should go, somewhere between my poster of Jimi and the one of B.B. King. So, when I ask Mom for nails, she says, "Moe, we can't be ruining the walls."

But I do it anyway. I search through Dad's old work shed and find a big one and pound it in. Bang, bang, bang on the wall. I hang that plaque there, and when she comes in and throws things and takes that plaque away, I duck and keep hitting the wall. Bang, bang, bang. I hit it until there's a hole there, then walk over to Jimmy's to cool off. I'll get that plaque back. Something like that.

Me, Jimmy, and Flash hang out at Jimmy's and play pool. Jimmy is good and liquored up by the time I get over there to tell him about the plaque.

"That ain't right," he says, sitting on top of the pool table. It doesn't matter if we do that. The table has all sorts of dents and slants in it.

"Yeah," I say, drinking Jimmy's Mom's Wild Turkey.

"That just ain't right," Jimmy says, hitting his fist on the table, knocking the eight ball with the side of his big hand.

"Boys, we need to have a little meeting," Flash says, pulling bud out of his jacket.

The three of us move to a holey couch, sink in it, smoke and get all quiet until Flash says, "Man, you're gonna be all famous on stage someday and none of this shit will matter."

"Let me see your guns, Jimmy," I say to him.

Jimmy's red eyes open, and he jumps up to get them, but he only makes it to the pool table. He lies down on it and gets all sleepy.

Flash puts his arm around me. He feels warm and smells like some food I can't put my finger on. "You're gonna be all famous, and I'll be the cook for your band." He takes his glasses off and starts cleaning them on his sweatshirt. The glasses are clean, but he cleans them anyway. Habit.

"Yeah," I say. "I'm gonna make some noise." I pick up Dad's guitar by the neck and begin to strum the blues, staring at the birdbath. Flash gives me a noogie and fills up the big bong. Jimmy talks in his sleep. I play until I can't move my fingers. Then I shake them and play some more until I'm sweating, sweating like I'm on stage with thousands of people staring at me, yelling my name, smiling, smoking their cigarettes, letting me hang up my plaque. Me and Flash get stoned off our rockers and laugh at Jimmy who wakes up when his Mom comes down the stairs when she gets back from Blueberry Hill and thinks she better check on him for once.

"Let me see your guns, Jimmy," I say because it's too quiet, crazy quiet.

"Mom, does your boyfriend stick his dick in light sockets?" he asks her. And she shakes her head and walks to the upstairs, which I have never seen. She doesn't talk back to Jimmy because Jimmy has guns. She just stares like a crowd stares before the music begins when Mr. Slosher says, "You ready?"

Jimmy laughs all loud crazy then starts nodding off again, spread-eagled on the pool table. Flash goes over, pokes his shoulder 'cause he's worried Jimmy might choke on his puke or something ridiculous like that. Sometimes, it's hard to wake Jimmy unless you stick forks in his mouth. And then he'll just wake up and puke in the birdbath.

I keep yelling, "Let me see your guns," and Flash keeps poking him, until Jimmy wakes up and punches him in the mouth. "Let me sleep," he says.

"Jesus, Jimmy, it's me," Flash says to him, wiping his mouth, which probably hurts and will hurt more tomorrow. The whole scene will stick in his mind like a bad tune.

Jimmy opens his eyes up some more, rubs them, and says, "Sorry man." Flash and I know he means it 'cause he messes his hair up when he says it, and that means he's telling the truth. Sometimes the truth is messy that way. Then Jimmy slurs, "Hey, Moe, me and Flash'll help you get that plaque back, even if I have to beat the shit out of your old lady. She probably stuffed it under your dad's old clothes in the basement or something," right before he passes out for real, when there's no waking him.

"All right," I say. And sometimes it was.

-- C.A. MacConnell

1/03/2019

Milk Carton

Proof of life:
Tangled hair, twisted throw.
The animal and I,
We wake.

Strange captor calls from the
Family.

Now, stretching. True, I'm no brow-beauty.
Some other missing girl will
Bring the ransom
Home.
She'll be a longer living wall fly.
Some say she'll stick.

Ground coffee, look here, I make the black
Law. I admit, it's a little

Strong.

Call the shepherds. They know
Blood.
Find the sign,
The lost shoe,
The search team, the one
Phone call,
The right or wrong
Words. Relatives know how to make a
Deal. Someone finds a bad sock,

A trace.

Hero, empty or full, don't forget the suit
case.

C.A. MacConnell