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9/30/2018

Do YOU have your copy yet? :)


Check out my 2017 genius work of fiction, THE HOUSE OF ANCHOR.

THE HOUSE OF ANCHOR is a fast-paced, intense, literary mystery set in Seattle in the nineties. Sometimes dangerous and often humorous, this novel is a deep, epic adventure packed with vivid dialogue. The slick use of voice is fresh, addictive, and engaging; it'll stick with you. Story: 424pp. Story contains strong language. ;)

Much love to you,
C.A. MacConnell

9/28/2018

Photo: Meadow



Meadow
Glenwood Gardens 

Love, Me↓

One Buck, One Life

From the archives...

One Buck, One Life

Man, I was caught up. Running late, I was obsessed, trapped in busy thinking. I gripped the steering wheel. I need sleep, I miss mountains, thermal shirts, hit the men's section. That's right, I was a mad woman on a driving mission. Cat food, I'm a bad person, paper towels, Pepsi, coffee, what is he doing, what am I doing. On and on, my brain chattered. Cruising along, taking the turns too fast, I suddenly got stuck behind a mini van that was going about twenty. So I tailed Van Man, hoping that he would speed up. Oh yeah, toilet paper and gum. 

No luck. Van Man barely rolled along, repeatedly hitting the brakes, turning into a souped-up teeter totter.

I sulked in my seat, tortoise-crawling down the road. Jesus, I said to myself, watching the brake lights blink in front of me. I turned the radio on and off.

Still, the van was barely moving in front of me.

I knew that I was going to be really late.

Then, suddenly, the Van Man came to a full stop in the middle of the road.

Startled, I hit my brakes, assuming that Van Man was going to jump out of the car and yell at me for tailing him. Nervous, I waited for the attack. But I was dead wrong.

Van Man just sat there in the middle of the road.  

Frozen meals. Studying the scene a little closer, I saw a large, ghostly shape move in front of the van. I squinted; it was a huge, majestic deer -- a king-sized buck with an enormous set of antlers. He was beautiful, and he wasn't in a hurry either. Slowly, he made his way across the road, one graceful step at a time. When he almost reached the other side, he stopped, looking up. There, he stared at me, gazing through my windshield, seeming to look me right in the eye. He paused a little, fiercely staring. Then, ever so calmly, he went on his way into the woods.

This world is so much bigger than me.

And I realized that I was a trespasser in his home. If it weren't for the Van Man holding me back, I would've hit that beautiful deer. And what a magnificent creature he was. I believe in angels. That soul, that dignified buck. Dear god.

C.A. MacConnell

9/27/2018

The Porch Swing

I chew on the accident –
my swollen lip
that you bit last night
when we shared oranges,
sucking them down
end to end, lip to lip,
burning and breathing in
African incense.
Outside, like fresh fire,
sleet cracked the ground,
and god made more
than a dusting. Later,
we sat on the metal swing
and rocked. At this show,
my toes barely touched
the porch. With fingertips,
you played my hands,
pressing into my life lines.
I gripped the chains.
Wind whipped my hair.
I pumped harder,
and we rose higher,
until everything rattled.
I hung on like a hangnail.

C.A. MacConnell

9/24/2018

All for Show: Full Circle.

They say some things live in the blood, you know. Some time back, I was taking a walk, and I randomly ran into one of my first riding instructors. It was a quick encounter that immediately sent me back in time. Reminiscing about horse people and barns, I thought about my first horse show, which was a true disaster, and the memory of it made me start cracking up in my car...

I was little, in the four foot tall range, and I was supposed to ride this small, chestnut gelding, a schoolhorse named Blazen Two Socks, who was a pretty good fit for my stubby legs. Usually, he wasn't too difficult to maneuver. The horse was appropriately named, since he had a pronounced white blaze and two white socks. He wasn't complicated, but the little guy definitely wasn't my favorite, and I think he sensed that. Late Night, a calm, sweet, dark bay gelding, and Honda, a little, wild, neurotic, white gelding, were my favorites, but neither of those guys did jumping lessons for some reason (probably for good reason).

Now, schoolhorses at Red Fox Stables were usually extremely reliable; the staff was ultra-experienced and utterly careful, but when dealing with horses, of course there was always the unknown factor. Seems that old Blazen had a few secret tricks stored up in his compact body.

We had been practicing for weeks, and I had the course down, so I thought. The day before the show, we had a "schooling session," otherwise known as practice. Waiting behind the indoor ring, the students sat on their horses, checking stirrup length, tightening girths, and trying to stay still. No one wanted his/her horse to shift too close to someone else's. No one wanted a horse fight. Still, horses pinned back their ears here and there, flattening them, looking tough. And yeah, some creatures let out half-hearted kicks and squeals. The people didn't talk much. I was mute, and as was my custom, I was way too intense.

Usually, the instructors didn't open the enormous indoor ring back door, but that day, with great effort, the staff slid it wide open so we could practice coming in the back one at a time. In the real show, we'd have to enter this way. It was my turn to practice, so I trotted right into the indoor ring, then picked up a canter, and Blazen and I practiced the jumping course like superstars. Well, at first. After the last jump, old Blazen was pretty bored and/or excited about his performance, so instead of calmly stopping and walking outside to join the rest of the riders and horses, Blazen went momentarily insane, madly galloping out the back door, running smack into several horses, shaking everybody up. That's right, everyone was yelling at me, pissed as hell. 

I held on until Blazen jumped over a huge ditch, and my little body went flying right into the ditch. Like a cartoon character, I sat there shaking my head, confused and embarrassed. I checked my arms and legs, moving everything. My body seemed to be working all right, so I sat there, chilling in the ditch, covered with mud. Like a wild mustang stallion, Blazen ran off to freedomland. No worries. Someone tracked him down before he got flattened by a semi truck barreling down Route 50.

The instructors mulled it over, and I guess they felt sorry for me, so they decided to give me a new horse for the show day. Old Blazen went back to his stall where he belonged, but that guy had a shit-eating grin on his muzzle, I swear. Now the new plan was for me to ride Redford -- not because he was awesome, but because no one wanted to ride him. On the ground, Redford was known for being mean as hell. Like Blazen, Redford was also appropriately named; he was a strange pinkish, godawful red color. Part draft horse and part dinosaur, Redford was damn ugly and huge. Well, his head was huge, and it was definitely out of proportion to his body. To me, since I was so vertically challenged, he looked like a red monster. I'd heard that Redford bit people when they tried to tack him up, but I knew that once I got up on his back, there shouldn't be too many problems other than that he was super slow. Usually, a rider had to start up a jet plane under Redford's ass just to get him to trot. Usually. 

Now, since my adventures with Blazen took a lot of time, I wasn't able to practice on Redford the day before. So the plan was that I would just show him cold turkey the next day. Well, the next morning, the morning of the big show, since Redford was so damn slow, the instructors handed me a crop, told me to canter him around fast, and then they sent me off to the side ring to gear up Redford for the ride. Get his attention, were the last instructions I heard. Well, I suppose I did a good job getting his attention because when the time came for me to ride Redford in the show ring, that horse was freaking flying. I remember hanging on to his mane, feeling the wind in my face even though we were in an indoor ring. Basically, throughout the course, I didn't do anything at all. I didn't move. I didn't steer. I was frozen, hanging on to that mane. Really, he did the course all on his own. Good thing he knew where to go. How, I have no idea.

At a hunter horse show, a course is usually comprised of eight jumps; that usually means four "lines." A "line" means one jump followed by another, and there are a certain number of canter strides that you must do in between the jumps in the line. Well, where we were supposed to do five strides, we did four (or a little less) each time, which means that we were going so fast, Redford took up some amazing ground. I finished the jumps, and we exited the ring like champs, but I was still clutching his mane. My fingers were bluish.

When I went out the back door, the instructors all looked at me in shock; their mouths all turned into big "O's." I heard things such as this:

"Wow, that was fast! Ha, ha, ha, ha, ha, ha."
"I've never seen Redford go that fast, ever."
"You looked like a speedy peanut up there!"
"Whoa."
"Oh my god."
"Whoa."
"Oh my god."
"Whoa."
"For the love of god, what was that?"

And then there were all of the grins, chuckles, and out-right cackles.

No one had ever seen Redford go that fast, and I don't think anyone had ever seen any of the schoolhorses go that fast either. One of the barn workers held Redford while I joined my parents in the barn lounge; they were cheering like crazy. See, they thought the whole point was to be the fastest, and they assumed that I was a child prodigy at riding. But with hunters, the whole point is not to go fast at all. The point is to canter in a nice, smooth rhythm, jump the lines correctly at a sane speed, and get the right striding. To put it bluntly -- I totally screwed it up and none of us had any idea. Basically, it was so bad, it was as if I scored a basket for the other basketball team, and my parents and I were clueless.

Now, later in life I learned about showing and striding and all that, but what I remember most about that first horse show was the speed, the fun, and how ridiculously excited we all were about the horrible ride. That's right, we were oblivious to the reality that my performance was absolutely hilarious. That day, it didn't really matter. Since I didn't know any better, I was just beaming at my ride, my light speed course. In some ways, not knowing was a gift.

Weirdly, I ended up getting third place; this was because the people in 4th, 5th, and 6th place had some major issues that were way worse than mine...like they probably knocked jumps over or trotted by accident. And I believe someone's helmet went flying off and landed in the ring dirt. But I was still pretty proud of my yellow ribbon. When I returned to Redford and showed him our winnings, Redford had a pained, angry look, and I knew he just wanted to go back to his stall and eat. Alas, I didn't feel like the horse whisperer, but I had my damn yellow ribbon, so I gave him a pat on the neck and thanked the jerk.

When I returned to the barn lounge, the older kids were cracking up, all whispering about my terrible, speed demon ride. Hearing them, I started coming to, realizing my ride was all wrong, but in my heart, I also knew that it was still the beginning of something, so I shrugged and clutched my yellow ribbon, checking out the snacks, feeling stubborn. And I thought to myself, I'll show you.

However awkward it was, it was definitely a beginning. Sucking at my first show made me work all the harder. And because I had to work hard at it, I didn't even realize it, but I was slowly learning how to pass on the wisdom of many trials and errors. I was learning how to become a good teacher. At fifteen, at the very same farm, I started teaching kids and adults. Years later, I was an assistant trainer there, and I got to watch my students practice for their first horse shows. Full circle. Hey now, wouldn't that be a good name for a horse? Has a nice ring to it...Full Circle. Hm...

Redford wasn't such a bad guy. Simply, he was making his way in the world like the rest of us, and I have a soft spot for him now. Thinking back, something has occurred to me -- Redford took care of me that day, and he did exactly what he was told to do. I took him to the side ring to wake him up, and he responded. Despite his rough looks, and although all throughout the barn he was known for his resentful attitude, wild eyes, and rumored biting and kicking, I think it was all for show. He never tried to hurt me. Not once.

C.A. MacConnell

Photo: Seagull

Seagull

C.A. MacConnell

9/23/2018

Photo: Relentless, and a Poem: Blanket

Relentless
Cleveland, OH. Nikon, b/w film

Blanket

Outside, the shy,
cold front
settles down
on our sky.
Inside, the air
turns thin
and mean.
We crawl under
covers,
tossing,
and God knows
we'll never stop
moving.
I feel your slight
hand
on my collar
bone,
lifting up
the blanket.

C.A. MacConnell

9/22/2018

Blues, Moon: Music, an Extension of Life

 Jukebox

Blues, Moon:  Music, an Extension of Life

Arthur Miller, Aleck “Big Boy” Crudup, Barbecue Bob, Big Joe Turner, Big Mama Thornton -- just a few names that come to mind. And there are so many more innovators who have touched me. Without knowing them, I consider them my friends. I listen to them, spend time with them, allow their stories to melt into mine. Any time of the day or night will do. And Bessie Smith, yes. I love the old, old Blues, the originals. It is the raw sound that gets me -- the gut-level feel, the rhythm, the deep and complex heart of it all. It bleeds out a certain desperate energy that stands the test of time, making a definite mark that can change the world through this: one soulfully rich creation.

Undeniably real.

These people lived and breathed music that came straight from their lives, and the sometimes gravelly, imperfect nature of it is perfection to me. Some recordings that I have are hard to hear, back yard albums, and I can almost imagine the scene -- the white house, the rocking chair, the porch, the chipped paint, the pot luck, the lover, and the lonely dog. Strangely, these rough, spontaneous songs both soothe me and call out to me, hitting me right smack in my chest's center. Many may sound familiar, as they have been redone so many times over the years, and yet they always have a primitive, wild, fresh feel. I believe there is genius in the green simplicity of these scattered songs and voices. Full of fierce intensity and charm, they put me right in the moment. Back then, people joined in, whoever was there. They were in it together.

When listening, I can almost see the smiles and the tears.

I believe that life is best here -- inside spontaneous, soulful gatherings. Downtown Roanoke, I used to frequent a tiny dive called The Full Moon Café. There, love was quick and wild. Tuesdays, the band Radar Rose led an open mic, and it often turned into a drum circle that lasted late into the night, sometimes early morning, and the crowds always spilled off into the square. The Full Moon, although it was grimy as hell, was one of the richest music venues I’ve ever experienced. Picture hippies with necks full of hemp, punks with Mohawks, kids with ink and pierced-up faces, homeless people, wealthy businessmen, college students, people from the mountains, people from the valleys, working men and women, skaters, misfits, and criminals. Everywhere, tattered plaid shirts and homemade jewelry. And the most interesting part about it was that we all hung out together. If people weren’t playing music, they drank, smoked, kissed, danced, and the scene was always absolutely random, but somehow, on any given Tuesday, it always proved to work out just right.

Reckless, yet I never saw a fight. What if the world were this way? Utterly spontaneous, yet peaceful. Places like this, songs like this, they scream out peace. Music -- a part of breath, motion, and the struggle for existence. There is an awesome presence buried within these honest words and notes. As it was in the old Blues, music can become an extension of life, when the words and melody come straight from the musician’s journey, straight from his or her veins.

C.A. MacConnell

9/20/2018

Photo: Buck

Buck
Sharon Woods

Amazing. He was so close. And oh man, I almost stepped on a snake...he looked at me as if to say, "Hey girl, some of us live down here," then made some noise, and slithered away. I whispered, "Sorry."

C.A. MacConnell

9/19/2018

Baby, Walk Right


Dark Horse
Camp Dennison, OH

Some flash poetry for you. Wrote this just now. Enjoy. Love, C.A.💕💕

Baby, Walk Right

Again, September wind rushes in,
carrying the sound

of red-tailed hawks,
and I'm surrounded

by the screech of it.
Look, the wings always

come back. Inside, they know.
No one ever reminds them

that it's their season.
Here, the fields are wild,

too-tall, and narrowly fenced-in;
some blades nearly touch

my thigh. Like prairie grass,
loose, calm waves sway yellow,

here and there singed
from another changed summer,

and outside every day,
but for the few fly nets,

these horses are naked.
First, I am muscle and manic

with the new, a baby
trying to prove myself.

We ache, made of bones
and skin, like them.

You and I live
for the strange, big eye,

the flight, the fresh-cut hay,
the hidden music

within animal silence,
and the clapping laughter

of the crowd.
Sometimes I get this life;

it makes sense to clean, feed,
sweat through the jeans,

and keep the blood
close to the heart.

It makes sense
to walk right

when leading the barefoot Paint
to the pasture,

making sure his hooves
strike the grass path,

rather than the gravel one,
because I see him squint,

and I know the journey must sting
without shoes.

C.A. MacConnell

9/18/2018

From the Show Horse.

Me + Johnny Two Dot, a horse I trained not too long ago.

Met nine horses and three dogs today. One dog, Sally, is my favorite. She stuck near to me until I suggested that she pick up a shovel to earn her keep, and then she disappeared. Ha.

I'm all wound up, in a good way. Nice day full of hard work and new friends.

I love beasts and opportunity.

From the archives...from the point of view of the horse.
Hope you dig it. Hope you're happy, C.A.


From the Show Horse

Reaching. Stretching. My neck. For hay, for grain.
I get the green hay, which is better.
My field friend, J.J., gets the yellow.
Last night, out with the boys, I heard that the white mare, Lily,
is having a baby. No,
it wasn't me. They won't let me near her,
but she's lucky. The big man feeds her
the sweet feed kind, which is like dessert,
so she'll probably gain...
a couple hundred. At her old home, her real name
was Emmi Snow, but nobody liked it
except for me.
It's sweaty in the barn, but we go outside after breakfast.
On the way, some don't have manners,
because they're mad at
inside. I don't mind. I know it's not
forever. When my shoulders lock up, I kick the stall wall,
and I chew on the wood. I can't stop chewing some days.
All the dark-haired ones tell me fast, soft words
that it's gonna be all right. The funniest man with the hat
cleans my dirty. I think he came from
somewhere. Then he stops and turns into smoke.
Then he rides on loud machines and gives me
an extra soft bed, and maybe his apple core, which is
happiness. But on the quiet day after two days of busy,
sometimes he doesn't show up.
And when he comes back, I think he might die,
but he gets better.
I thought I was going outside, but here comes my girl.
I lick some salt from the block and
stand tall. Keep going. For her. Today in the barn,
she leads me again. I’d follow her anyhow,
but she uses the rope. I breathe on her neck,
placing my hooves down; the right front stings a little
from the shoe man, but I won't tell her. I take it easy
on the right, tight side. Man, the work. But seeing her,
I come alive, feeling her fingers stroke and brush my black
mane. Mom had that shade too. One day, they put her
on the small barn with wheels, and she never came back.
J.J. always tells me they sent her to a rest farm, but he looks
backwards when he says it. I know she went to the
killers. I'm big, though. I'm five now.
Yesterday, the skinny vet came. I like that one. His hands
are soft, but bony and gentle. I don't like the fat one, or the one
who does my shoes. I admit I tried to kick him once.
My back has almost healed from the jumping crash,
but on rainy days,
my girl brushes me longer
than she should, just to be sure. I guess she knows
I'm still achy. I guess she knows that I was
trying, that the wreck wasn't my fault. Suddenly it hits me –
the sharpest air. Storm’s coming. I hear 32 hooves
shift at once. The oldest one and the sick one call out
warnings, always a dead giveaway. My girl cleans me,
and I know she thinks I'm handsome. Then she sweeps
the aisle, making cloudy dust. Each moment my body
is awake, I move for her. Even when I can’t feel my muzzle,
when it’s too cold to sneeze, I move for her. Later, if I stay in,
when the barn is dark, I spend minutes,
hours rocking
in the stall. Can’t sleep, can’t see, and if I lie down,
she might worry with morning. I listen to her breath,
letting it lift me, balancing steadily, without the wall.
I guess I love her, enough to know I don’t love another,
enough to recall the one who jerked me around. Later,
they'll give me a snack.
Hey, yesterday, she packed up
my bridle, her saddle, and her shiny, heavy tool box,
then gave me a bath, and the tall man cleaned my teeth.
My chewing is gonna be worse now. Looks like
we’re going somewhere. This must be what people feel like.

C.A. MacConnell

9/17/2018

9/16/2018

Shavings

 
Heart of It
Mason, OH


Shavings


Hand me a bandage. Earlier, I cut myself;
we are forever blending into some couch.
You are made of smog, smoke, fog, steam.
You are dust. You are an intangible buffet,
a cirrus cloud, a vast scab, a gorgeous vapor.
Your shoulders are static rather than bone.

Something hangs between us – a fight never
fought, a loss never lost, and the irresistible,
makeup screw. To our mad, silent lives --
from the dirtiest laundry to the lightest
sheets. Sometimes, I see your shavings.
Cutting the quiet in two, sound is our knife.

I see our small house, white paint peeling
on the left, the heart side. I see you call
the painter. I see me call the gutter man.
I see our swing, our kitchen, our late night
dinner -- orange, fake fish on green plates,
no napkin, bare clean kitchen, the scent of it.

The table, the imperfect circle. And no matter
how the meal ends -- empty or full, imagined
or real -- even if I could, even if I should,
I wouldn't take anything back. Hand me
a bandage. I see us sit down at the same
time, sinking into high-backed, black, plastic

chairs, praying and laughing and digging in,
whether or not people need to eat
in heaven.

C.A. MacConnell

9/15/2018

Photo: Lunken Path

Lunken Bike Path
Cincinnati, OH 

Hm...the hawks are coming back. It's their season. :) My time of year. Hope you're smiling! Much love to you,
C.A. MacConnell

9/13/2018

I'm Here. I've Got Your Back.

 
Hawk
Lunken Airport

I'm Here. I've Got Your Back.

A while ago, I was in the woods, about three and a half miles into a walk, when suddenly, I felt a great rush of air, and something soft brushed against my cheek. Startled, I stopped and looked left. Right there, on a log in front of me, a red-tailed hawk landed and turned to the side, looking back at me, seemingly grinning, as much as a hawk can grin. And I realized that what I had felt against my cheek were the hawk's wing feathers.

I studied him. He appeared to be an adult male, although I'm still a beginner when it comes to hawk sightings. Stunned, I looked at him and whispered, "Baby!" He wasn't a baby, but that's just what came out of my mouth, as if I were using it as an endearing term by a lover.

Still not moving, he looked back. Shadowed by the trees, he appeared absolutely beautiful and wise.

I moved a little closer. My heart fluttered, and then it felt warm, as if it filled up with something -- some kind of liquid gold, if you will, or, as I later thought -- absolute love. Literally, it felt as if the Spirit of the Universe were directly speaking to me, saying, "I'm here, I've got your back."

Frozen in place, seemingly unafraid, from the side, the hawk looked back at me sideways through one big, clear, open eye.

Thank you, I thought, bringing my hands together, pressing my fingers close in prayer.

And for a brief second, he continued to look at me through that unblinking eye, as if making sure I was all right. And then he flew away.

For a few moments, I stood on the path, completely mesmerized. My next thought was, No one is going to believe me. Then, smiling, I thought, Who cares, I saw what I saw, I felt what I felt, and I believe it, and it is magnificent. I have never heard of a hawk coming that close to a person, and there was really no reason for him to swoop down like that -- he wasn't after any prey or anything. No mission at all, other than to say hello to me. Simply, he flew across the path for fun. Unbelievably, his feathers brushed against my cheek, and then he sat on the log. It was for me, and only me. Truly, I was blown away.

About a year ago, there was another time when I was walking and a hawk flew right over my head; that one was nearly close enough to touch me, and I could feel the breeze of the flight, but I've never, ever had one actually touch me before, and I've never heard of it happening to anyone else.

Writing to you this morning, I'm still amazed by the experience. Chills. Some people see burning bushes, I guess. I had a hawk touch my cheek. Amazing.

Someone, something, a greatness, is there. Every now and then, if I open my eyes, I can see the universe reveal this divinity, literally touching my skin.

I used to feel an affinity with wolves. In the past few years, it's changed to hawks. Somehow, I've become more aware of these creatures, and now I feel that a Great Spirit is reaching out to me, letting me know this:  You are all right, just how you are, right here, right now, and I accept you and love you. Just checking in. I'm here. I've got your back. This is my version of God today; it changes with me, becoming new to me, and in turn, new to you.

C.A. MacConnell

9/12/2018

Photo: You'll Feel

You'll Feel
Milford, OH

Aw, this photo makes me grin...looks like love to me. <3

Sending out more queries, working hard. It's a lot of work, let me tell you. :)

Hope you're well. In the meantime...lookee over on the right side of this blog and check out all of the labels...fiction, poetry, essays...browse around when you're supposed to be working, ha.

Hope your day is beautiful, sincerely. I'll write you a new piece soon.

I have one free, signed book available...a copy of my 2017 novel, THE HOUSE OF ANCHOR. Just email me at camacconnell at gmail dot com, and I'll mail it to you. No catch. Just free art. :)

C.A. MacConnell

9/11/2018

Sideburn

It is thick, thick,
then narrow,
then thicker.
A full-grown,
deep-angled,
tricky, wild,
steep stairwell
leading down
from floor two,
your ear,
stepping
all the way
to your jawline,
the landing.
Flatly, no,
shockingly,
it ends.
But in the white
space between
your hair
and cheek,
my finger becomes
the imaginary
razor, testing
the shaved line,
lingering
on the edge,
feeling the way
your smooth, hot,
strange skin
so easily leads
back into the hall,
back into the rough.

C.A. MacConnell

9/07/2018

Photo: Our Time

Our Time

With thoughts of those hurt or killed, and with thoughts of all those traumatized by the shooting in Cincinnati yesterday. I was northeast, on the phone with Mom, when it happened. About 25 minutes away. Makes you stop to think about what's important in this life. Makes you realize that your problems aren't really that big.

To me...closeness, love, and support are what matter. Lasting love,

C.A. MacConnell

9/05/2018

Photo: Turtles

 
Turtles
Miami Meadows

They know what it's all about.
C.A. MacConnell

9/04/2018

The Turnaround

 
 Rush Hour
Milford, OH
The Turnaround

When winter’s first snow tongue
licked the highway white,
I wasn’t careful.
Instead, I sped up,
checking the time.
Next came Damien Rice.
Around eight, I took the funny,
wrong exit. Out there,
the phone didn’t blink.
No strange service could reach,
and I wondered if some god
was grinning. Maybe,
if I took enough detours,
this slippery trip would never be over.
Maybe I could find you
on the curious way back,
and we could wear our stupid hats.
From the thin road side,
maybe I could see you
walking toward me --
bundled in black,
holding two hot drinks,
raising them up,
sipping the side
of one cup’s stubborn drip,
soon waving me down
at the turnaround.

C.A. MacConnell

9/03/2018

Photo: Sound

Sound
Covington, KY

Guess who has the most amazing vocal range of any singer out there, according to my research in the middle of the night? Axl Rose. Five octaves. And then some, ha. Pretty cool.

Have a good labor day. Hope you can relax. I'm not...I'm applying and looking for labor, ha. Be well. Be with the spirit today.

C.A. MacConnell

9/02/2018

9/01/2018

Snappers and Painters



Note:  the following is a fictional short story. A shortened, edited version of this piece originally appeared in Cincinnati's 'CityBeat Magazine'. Peace out, C.A.

Snappers and Painters


by C.A. MacConnell

Man, all the time, I have to yank up my strapless shirt so my boobs aren’t showing, because it’s embarrassing. I don’t really have boobs like Mom’s, which are watermelons, but I still don’t need to be showing them to the world. Okay, so mine are so small they look like lightning bugs with no lights.

I kick off my clogs. Last year, Mom and I found the shoes in my cousin Debbie’s hand-me-down pile, which had tons of stuff, even for Debbie. That was my present for my eleventh birthday. Now I’m twelve, in case you can’t do Math.

I wear this one-piece outfit thing every day, even when it’s cold, which it’s not. Duh, it’s summer. Sometimes, I put my purple jeans on top of the shorts part, which is “bulky-looking,” Mom says, but I don’t care. It used to have a belt, and there are still these loops there, but I lost the belt part the first time Conner and I went turtle hunting. Conner tried real hard to find it in the bottom of the lake, but after about three hundred hours of looking, when I thought Conner was dead, he gave up.

My hair’s kinda like sand, but Conner has black curls. I always put my hand on his head and scrunch up his curls between my fingers. One time, I cut his hair, which was a bad idea. I knew it wasn’t too straight, because we were trying to count the minnows in our bucket at the same time. Conner’s Mom said she might cut my braids off. When she said that, Conner was smiling on the inside. I could tell.

My purple jeans are the best, but when Mom sees those pants, her mouth droops all funny like she’s gonna drool. Conner’s jeans droop on his hips. Conner jokes at me all the time that I have on my own uniform. Uniforms stink, for real. I know ‘cause I’ll be wearing one when school starts. They’re itchy ones, and they leave red marks on my tummy like I just got wrapped up in a rubber band. Nuns are in charge where I go to school. Speaking of rubber bands, nuns put them around the top of my socks to keep them up to my knees, which is stupid because I just push them back down anyhow.

I’m thinking about stinking nuns when Conner yells, “Peanut, hand me the net, it’s a snapper!”

Conner scrambles back in the boat all wet. Oh my God, P.U.

“I see the snapper, dork, but you know I want a baby painter,” I say, swatting a dragonfly.

I like the painted babies that fit in the palm of my hand. The snappers don’t scare me or anything, but I just wonder why they have to do all of that snapping when all they do is swim all day. I sure wouldn’t snap if all I had to do was swim all day. Mom does though. She stretches her neck and snaps right at me, which doesn’t really scare me either, but I act like it does.

“Would you just hand me the net before I tip the boat and pop you one?” Conner gets this look in his eyes. It’s the same look he gets when he puts his hand on my forehead, and he thinks he's all tough the way he holds me back when I try to punch him. His eyes get all huge and his face gets a frown that looks like a smile might bust out any second. Sometimes, I think his cheeks might explode. Gross.

“All right, here, geez.” I put the stinking net right on Conner’s head. That snapper slides away into the water like they do.

“I’m gonna catch you, now.” Conner comes at me with the net, making the boat rock, which is trouble.

I’m sick of fighting him, so I make the boat tip. It’s not hard. Dad calls Grampie’s Boston Whaler a “one-man ride.”

We splash around and Conner tries to freak me out by telling me the story of a monster fish that lives in the lake. He’s not making this up, but I know it’s not around anymore. Once, Grampie told me that he was having a beach picnic lunch with Grammie, and they saw that monster going “over the water and under the water.” Grampie threw a chicken bone at the thing, and the bone happened to land in its throat. So it choked and died and now everyone can relax.

Conner laughs and dives down in the shallow water of the cove. He presses his stomach to the bottom of the lake like a catfish. I go down there too, and I watch him wave his arms up to keep himself on the bottom. Reminds me of the way Father Brugger moves his arms at school, right when he wants everybody to stand up. I can’t figure out why they make us stand up and sit down so many times. Just when I think I have it right, I’m all ready to sit, and everyone around me is on their knees. I don’t get religion.

Sitting on the mushy bottom, we hold hands and mouth words, trying to figure out what we’re saying to each other. I think about how the turtles are probably out getting suntans while we’re fooling around.

Conner never gets mad at me. But I get mad at him when he tries to scare me by holding his breath forever while he sits on the lake bottom too long, which is what he’s doing. I am waiting, treading water, and he’s really starting to bug me.

Then he comes up puffing and says, “Now, you ready to catch a REAL turtle?” But by the time we get back to the cottage, I have a baby painted turtle in my hand, and Conner just has the net full of lily pads and muck, which is the way it always goes.

I love Bear Lake, even if I get a bloodsucker on my stomach every now and then. Bear Lake’s pretty clean most of the time, but this year, there are less ducks and more dead rotting fish on the beach. I heard it's because of those boys down the road who drive their trucks all crazy and throw beer cans out the windows, and the cans end up in the water which is not a "dumping ground," Dad says.

Conner and I can’t drive yet, and beer is gross. So we comb the beach at night. Conner sees things a lot better than me because he’s a whole year older. But he always lets me pick everything up so he can make up stories about the junk. He says the stones I find are fossils and Indian arrowheads. One time, I found a comb with a few missing teeth. He said it would turn my hair green if I used it. I told him he was nuts, but I didn’t ever comb my hair with it, just in case.

Our cottage is small; a two-lane road is the only thing you have to cross to get to the beach. Mildred lives on the right. Her face looks like a shoe, and Conner keeps telling me there are rats in her house. I don’t talk to her much, but Grammie keeps sending me over to her cottage with some homemade bread.

Grammie makes everything herself, even hamburger buns. When she makes ginger cookies, I sit against a tree that’s white with the bark peeling, and I peek through Grampie’s blueberry patches to watch Mildred in her tomato garden. I get bored waiting to hear Grammie yell from the cottage, “Peanut, they’re done!” She talks to her cookies too. Probably because Grampie’s always in his garden or writing sermons.

Mom frowns a lot. She tells Grammie, “Mother, stop fiddling around. You never stop moving.” Mom does the same thing, though. When I try to show her my turtles, she keeps on stringing green beans.

Aunt Patty lives on the left. Me and Conner have to scramble through Grampie’s gardens to get there. One time, we found a garter snake hiding in the pea pods, and I picked it up right behind the neck, the way my cousin Bryan taught me back when I was ten. Bryan has a boa constrictor, which I love. I like touching it. Aunt Patty doesn’t like it too much ’cause one time it got loose, and there it was, resting on the shower curtain rod, staring down at Aunt Patty while she was peeing.

But a week after we found the garter, Conner and I saw it smashed on the road. Nothing left but a sad, smashed greenish brown “S” on the road. It turned black after people kept running over it. From that day on, Conner and I decided that snake would protect us from getting smashed, so we made up a saying. Every time we cross, we hold hands and say, “Garter snake, save us from cars and scars.”

I’m sorry, but I pick my scabs. Mom always says, “Stop picking, Peanut, you’re going to get scars.” I guess Mom worries I’ll end up with dents in my face, like people do when they get chicken pox. I had ‘em once. Conner had ‘em at the same time, which was fun being sick together and lying around doing nothing.

I don’t have any scars really. My face is as smooth as the beach in the morning. At least that’s what Conner tells me, because he’s a lot older and he knows how to say things sometimes.


Let me tell you I met Conner the summer I was nine. I was digging my toes in the ground to make the beach swing go higher. It was sunny, and my eyes hurt, but I saw him walking down the road barefoot, wearing some cut-off jean shorts. He had a fishing pole leaning on his shoulder, and a poor, dead, small perch was hanging from the hook. I asked him if he was gonna eat it.

“Yup. Fry it up and swallow it down whole.” He waved the fish in my face, trying to make me sick or something, but I liked the smell. Reminded me of sitting in Grampie’s garden while Dad skinned our supper, and how he fried it just right, so it didn’t taste “too fishy,” like Mom always says.

Anyway. So Conner finally sat down on the swing with me, and he started pumping his legs crazy, and for a second I wondered if he’d pump them right off. We waited until it was at its highest point in the air, sat on the edge, then jumped over the beach wall into the sand.

Then we took Grampie’s boat out and went to the Cove to search for peepers, which are baby toads if you don’t know. Right then and there, he was my new best friend.


I hate to break the news, but this is our last summer at Bear Lake. Grammie’s selling the cottage. So Conner and I are sitting on the swing, and it’s dark, and I think we both want to cry, but we don't. But since I'm holding all that in, my heart feels fat. I tell Conner how scared I am, and how I still haven’t kissed anything. Well, I did kiss some boy named Ethan at my friend Margaret’s birthday party. But that doesn’t count.

“Hey, Peanut, I could kiss you,” Conner says. He turns into a raspberry.

I laugh.“No way, Con.” All I can think about is how he looks after he comes up from the bottom of the lake with plants hanging from his head.

“Will you cut my hair?” he asks, just because neither one of us knows what we’re talking about or doing, and we’re all sad.

His curls are drooping over his ears, but I’m kind of glad because Conner’s ears are usually full of wax.

I go back to the cottage, stopping at the road to do the snake chant, and I come back with the scissors.

Then he goes and starts looking like red things again.

When I sit down, the swing squeaks. The chain on one side breaks, sliding Conner into my lap. Our noses bump, and he kisses me. Conner doesn’t kiss like my stuffed animals. Conner is wet, soft, kinda sloppy, and I feel like he’s using the same air as me for a second.

Then Mom opens the cottage door so fast, the hinges might bust. “Peanut, get in here. We’re leaving at the crack of dawn tomorrow.” She taps her foot on the welcome mat.

It makes me want to taste Conner again. He sure tastes better than Grampie’s coffee.

“Meet me in the morning, okay?” I whisper. I almost throw up.

“No, I want to say bye now. Not in the morning. Hey, peanut, you know what?” He tilts his head down.

I drop the scissors.“What?” I’m ready for something big, because Conner always starts with a question when he’s gonna say something big.

“I think I like you better than anyone or anything,” he says.

It’s so dark that it could be talking driftwood next to me on the swing, and I wouldn’t know. “You like me even better than snappers?” I ask him.

“Yeah. Better than anything," he says like an adult person.

“Will I see you again?” I ask him.

“I think maybe in a long time. Just do this. Every time you go swimming, go to the bottom, and act like I’m right there, sinking with you.” He gives me a thumbs up.

“Let’s go, Peanut!” Mom yells, ruining the whole thing.

I look at him for the last time. Half of Conner’s face is lit. I put my hand on the light cheek, kiss the dark one, then tiptoe inside. At the door, I duck under Mom’s arm.

That night, I bury my head under the covers, which is something I don’t usually do, because it’s hard to breathe like that. For some reason, I don’t want to breathe so badly any more, unless I’m breathing with Conner.